With the popularity of the Internet, many people are violating music copyright law and do not even know it. Music copyright law can be very tricky. There are multiple music copyrights that you must keep in mind – lyrics, composition and the recording of the music by an artist. Using someone’s music may involve you acquiring many different licenses such as mechanical, synchronization, performance and publishing licenses. Music copyright law has separate copyrights for the vocal or instrumental recordings of a composition or performance and the copyright of the written lyrics and music.
Standard music copyrighting practices usually entail that the writer of the song retains the rights to the right to the music composition which the studio that did the recording of the music holds the rights of the recording. Music copyright law can get very complicated. It can involve negotiations with the writers, producers, agents, heirs and more.
Many artists and studios are upset with the decline in music sales. They are attributing this decline to people who are violating music copyright law by downloading music on the Internet. Music files are under the same copyright law as music recordings and the owners of these copyrights are entitled to royalties or compensation for the music that people are illegally downloading on the Internet.
The simple fact is you are stealing if you make copies of copyrighted music recordings without authorization to do so. If people were sued for the music they have downloaded illegally, it could result in thousands of dollars. Music copyright law states that it is illegal to duplicate and distribute creative work. If you send someone an email with a song that you have illegally downloaded on the Internet, you could be in for some serious trouble. To put it bluntly and plainly, if you download (or upload) music that is copyrighted without permission to do so, you are breaking the law.
Many people violate music copyright law and do not even understand how their actions are criminal. If you purchase a music CD you can make a copy of it for yourself on your MP3. However, if you then use that recording and put it on your website or blog and make it available for everyone to download, you are performing an illegal act. Even if you join a site and pay a fee to download music you are in violation of music copyright law.
This may sound like something that would never come back to haunt you. After all, if you were caught, it would be a first time offense, right? Well, you should know that there have been first time offenders who have been fined up to $250,000 and up to five years in jail for violating music copyright law. It is so much easier to go out and pay 20 bucks for a CD.
Whether you are uploading music or downloading music, educate yourself on music copyright law. No one wants to ruin their financial future and face jail time. Enjoy music, just do it the right way!
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Discover How The History Of Music Will Make Your Music More Luminous
When I first started studying the history of music, I did not know what I was getting into. I had a notion that music history was somewhat of a trivial pursuit...
Honestly, I only followed my history of classical music course because I needed the credits. I am sure some of you out there can relate to that. I did not know how fully interesting music history could be. You see, in our culture many of us do not really study to comprehend music. For much of the world, music is a language, but for us it is a thing that we consumed passively.
When I started to study about the history of Western music, however, it changed all that for me. I have had some experience using musical instruments, but I have never mastered one enough to really comprehend what music is all about. This class showed me.
When a lot of us think about the history of music, it means the history of rock music. We presume that the history is plain because the music is plain. In fact, neither is the case. The history of music, whether you're talking about classical music, rock music, jazz music, or any other kind, is always complex. New chord structures are set up carrying with them new forms of understanding humanity. New rhythmic patterns are established, carrying with them new methods of understanding history. And music shows all of it.
History of music nowadays is even more interesting. Even when the class was ended, I could not stop learning about the history of music. It had stimulated my appetite, and I wanted more. I acquired all the music history volumes that I could discover. I even started to examine forms of music that had not interested me before in the hopes of improving my musical knowledge further. When I was in school studying toward a very different subject - a degree in engineering - I had thought about giving it up and going back to obtain a degree in musicology. That is how much I am fascinated by the subject.
If you have never taken a course in the history of music, you don't know what you are missing out on. You do not miss what you don't know about in a way but then again... Believe me the CDs will never sound the same to you again. Actually not only the Cds but any type of media you are or will be using to play your favorite music. The whole thing will seem much more rich, much more luminous, and much more important. A new song can reflect a new way of being, and a new way of imagining existence in the world. This is what learning about the history of music means to many of us. Just try it and you will see.
Listening to music now has a whole new meaning. You can imagine all the different types of musical patterns there are in the world. It make your musical mind really expand.
Rock Stars, Music Icons, Alcohol, and Drug dose
There is an adage that rock and roll stars survive the sting and drive within the quick lane. guitar player|James Marshall Hendrix|guitarist|guitar player}, Elvis Aron Presley, Kurt Cobain of Nirvana, and archangel Hutchence of INXS did simply that. They were music icons United Nations agency lived on the sting. Sad to say, their fame and fortune conjointly junction rectifier to their untimely deaths. what is additional sinister is these stars die a couple of years once achieving fame. News of rock stars and different music icons dying young is sinister, as a result of their deaths area unit related to substance dose.
A recent study conducted in port John Moores University showed that one,050 yank and European artists or alleged “icons” died prior to average individuals. Of the a hundred stars that died from 1956 to 2005, majority of those yank “music icons” died at the age of forty two on the average, whereas those from Europe kicked the bucket at thirty five years mature. The reason? Unhealthy fashion, improper diet, dependence, and alcohol and drug abuse. additionally, a part of the quandary lives with the strain and anxiety related to fame.
According to the Journal of medicine and Community Health, drug and alcohol area unit the first causes of the many deaths of music stars, that accounted for one in each four deaths. Alcohol damages the body in many ways. It will have an effect on the brain and might cause poor coordination, faulty judgment, slowed reflexes, distorted vision, memory lapses, and blackouts. Alcohol will harm several organs within the body. it's absorbed directly within the blood and raises the chance of effort dangerous ailments like cancer. very high doses of alcohol will even cause alcohol poisoning, coma, or maybe death.
It is a incontrovertible fact that several celebrities and music personalities area unit concerned within the perennial and excessive use of medication and substances. High doses of the many extrajudicial medicine will cause immediate dangerous issues like attack, metabolism failure, and coma. the mixture of medication and alcohol area unit very dangerous. additionally, some medicine will have dangerous interactions with alcohol. The material body will solely handle such a lot of toxins right away, this is often the explanation why extrajudicial medicine mustn't be soft on alcohol. There area unit times that drug will with chemicals move with alcohol, once soft on alcohol it disperses quicker within the blood and become quicker. These area unit the explanations why alcohol and drug dose is one amongst the leading reason behind death among music icons and lots of people.
The number of rock stars United Nations agency died and area unit dying at a young age is reason behind alarm for society as a result of several artists area unit prestigious among kids and youth. they require to be like them—the rock gods. The youth adore them. They obtain their albums, watch their concerts, and even attempt to dress like them. loads youth wish to be like rock stars. they require fame, money, and different expensive stuff. youth of these days wish to be rock stars quite anything. they require to sing loud songs, strum the guitars to supply loud music, and beat the drums real laborious. The youth wish to expertise the high spirits that these rock icons claim they feel whenever they are on stage. Sad to say, all the celebrity, fortune, and cash weren't able to modification the very fact that a lot of rock stars and music icons died early.
Jimi Hendrix, Elvis Aron Presley, Kurt Cobain, and archangel Hutchence What went wrong? Were they overpowered by fame that they lost management of reality and turned to medicine and different prohibited substances? it's clear that these rock stars weren't happy the least bit. Death in some ways in which build individuals additional attention-grabbing and renowned than they were still alive. However, dead rock stars area unit reminders of the pain and depression that will happen as aspect effects of fame.
Rock, additionally known as rock and roll, rock & roll, or rock ’n’ roll, type of popular music genre that emerged within the Fifties.
It is definitely controversial that by the top of the twentieth century rock was the world’s dominant type of popular music genre. Originating within the us within the Fifties, it unfold to alternative communicatory countries and across Europe within the ’60s, and by the ’90s its impact was obvious globally (if in many various native guises). Rock’s industrial importance was by then mirrored within the organization of the transnational recording business, within the sales racks of international record retailers, and within the play list policies of music radio and tv. If other forms of music—classical, jazz, simple listening, country, folk, etc.—are marketed as minority interests, rock defines the musical thought. so over the second half of the twentieth century it became the foremost comprehensive of musical labels—everything are often “rocked”—and in consequence the toughest to outline. To answer the question, what's rock?, one initial must perceive wherever it came from and what created it potential. And to know rock’s cultural significance, one must perceive however it works socially likewise as musically.
What is rock?
The difficulty of definition
Dictionary definitions of rock area unit problematic, not least as a result of the term has totally different resonance in its British and yank usages (the latter is broader in compass). there's basic agreement that rock “is a type of music with a robust beat,” however it's tough to be far more specific. The Collins Cobuild English lexicon, supported a huge information of British usage, suggests that “rock may be a quite music with easy tunes and a really robust beat that's vie and sung, typically loudly, by atiny low cluster of individuals with electrical guitars and drums,” however there area unit numerous exceptions to the current description that it's much useless.
Legislators seeking to outline rock for regulative functions haven't done far better. The Canadian government outlined “rock and rock-oriented music” as “characterized by a robust beat, the employment of blues forms and therefore the presence of rock instruments like guitar, electrical bass, Hammond organ or electrical piano.” This assumes that rock are often marked far from alternative kinds of music formally, consistent with its sounds. In apply, though, the distinctions that matter for rock fans and musicians are philosophic. Rock was developed as a term to differentiate bound music-making associate degreed listening practices from those related to pop; what was relevant was less a sound than an perspective. In 1990 British legislators outlined pop as “all varieties of music characterised by a robust regular part and a reliance on electronic amplification for his or her performance.” This semiconductor diode to robust objections from the music business that such a definition didn't appreciate the clear social science distinction between pop (“instant singles-based music geared toward teenagers”) and rock (“album-based music for adults”). In pursuit of definitional clarity, the lawmakers misunderstood what created rock'n'roll matter.
Art rock, eclectic branch of rock music that emerged in the late 1960s and flourished in the early to mid-1970s. The term is sometimes used synonymously with progressive rock, but the latter is best used to describe “intellectual” album-oriented rock by such British bands as Genesis, King Crimson, Pink Floyd, and Yes. The term art rock is best used to describe either classically influenced rock by such British groups as the Electric Light Orchestra (ELO), Emerson, Lake and Palmer (ELP), Gentle Giant, the Moody Blues, and Procol Harum or the fusion of progressive rock and English folk music created by such groups as Jethro Tull and the Strawbs. In common, all these bands regularly employ complicated and conceptual approaches to their music. Moreover, there has been a relatively fluid movement of musicians between bands that fall under the most general definition of art rock. Among the musicians who contributed to numerous bands are Bill Bruford (Yes, King Crimson, and U.K.), Steve Howe (Yes and Asia), Greg Lake (King Crimson and ELP), and John Wetton (King Crimson, U.K., and Asia). Some of the experimental rock by such American and British artists as Laurie Anderson, David Bowie, Brian Eno, the Velvet Underground, and Frank Zappa is also often categorized as art rock.
In 1965 the Beatles began to explore the compositional use in rock music of multitrack recording, classical-type orchestrations, and avant-garde or experimental influences. The debut album by American experimental rock composer Frank Zappa’s Mothers of Invention followed in 1966, and in the next two years Caravan, Jethro Tull, the Moody Blues, the Nice, Pink Floyd, the Pretty Things, Procol Harum, and Soft Machine released art-rock-type albums. Much of this music combined roots in British Invasion manifestations of rhythm and blues or eclectic pop with psychedelic, avant-garde, or classical tendencies. From 1972 to 1974 Genesis, King Crimson, ELP, and Yes (all of whom debuted in 1969–70) turned out ambitious suites that filled album sides. In addition to the standard rock-band lineup (guitar, bass guitar, drums, and vocals), these groups often featured the Mellotron (a tape-loop-based keyboard instrument often used for orchestral sounds), organ, piano, and early synthesizers. Because of the prior experience of many art rock musicians in classical music and the availability of high-tech electronic supplements to traditional instruments, keyboardists such as Keith Emerson (ELP) and Rick Wakeman (Yes) moved from having supporting roles to making featured contributions.
Art rock often featured complicated and frequent rhythm changes, imaginative lyrics (including sociopolitical or science-fiction themes), and unified, extended compositions (often in the form of “concept albums”). Classical instrumentation (including symphony orchestras) and pseudo-orchestral ensemble playing by rock bands (including reworkings of classical compositions) were also prevalent. Art rock had widespread appeal in its virtuosity and in the complexity of its music and lyrics, and it was intended primarily for listening and contemplation rather than for dancing. The stage shows and album art that went along with this music—especially Roger Dean’s elaborate designs for Yes—also appealed to artistically inclined teenagers and young adults. Early 1970s shows by Genesis were especially visually oriented, with lead singer Peter Gabriel dressed in a bewildering array of fanciful costumes and arriving on stage from above, courtesy of opera-style stage machinery.
Notwithstanding the appearance of the influential British art rock bands U.K. and Marillion in the late 1970s and early 1980s, respectively, and the continued presence of Genesis, King Crimson, Yes, Pink Floyd, and ELP in various incarnations, for the most part art rock tendencies were continued beyond the mid-1970s by British and American pop rock and hard rock groups such as Asia, Boston, Foreigner, Journey, Kansas, the Alan Parsons Project, Queen, Steely Dan, Styx, and Supertramp and the Canadian band Rush. “Arty” 1970s and ’80s British pop rock artists such as Roxy Music, Peter Gabriel, and Kate Bush and the 1980s and ’90s American heavy metal bands Metallica and Dream Theater also explored a number of stylistic features earlier associated with art rock.
Bobby McIntyre is a singer/songwriter with a powerful yet soothing voice, Bobby has a passion for writing lyrics and creating melodies that warm the heart and touch the soul.
His vocal range is something to take notice of and can sing songs as high as greats like Steve Perry and Lou Gramm and Miljenko Matijevic. His album really does not even display his complete vocal range. Bobby can also pull off multiple styles of music from pure country, R&B,pop,hip-hop to all-out power ballad rock. He is also somewhat of a social media expert and helps manage select artists with their music careers, as it is a passion of his to help other great talents.
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